The Righteous Player(s) Chapter 16: Is this really reasonable?


Good guy, he is a real wolf killer. More than a little ruthless than ruthless people.

Dare to dig into the grave of a preparation god, the HR of the light world, the mother and mentor in name of all gods and false gods... She can even be regarded as the biological mother of the evil "worm" in this world.

No wonder Nigel said that he seemed to be distracted by something.

Even if he exhausted his talents for this painting, Annan would not be surprised.

That is indeed the "wound of the world." But the wounds of the world themselves are not rare; what is rare are "the pearls contained in this flesh and blood."

Nigel thought he was painting a wound in the world, but what he actually painted was what was revealed in the wound... the former **** of choice, the chariot driver!

It is really rare to personally confirm and depict the body of the Sky Chariot driver without dying or going crazy because of it.

The death of the Heavenly Chariot driver alone is undoubtedly "creation" level of mysterious knowledge.

In other words, it is precisely because he is an ordinary person that he can barely remain immortal. Because the light of the heavenly carriage is the "light of sublimation", the closer you are to the light realm, the more you can feel the sacredness of the heavenly carriage.

Nigel is not a supernatural being, he is just an ordinary person. He also doesn’t know any mysterious knowledge...

Perhaps because of this, he was able to observe the "Crane Driver" with his eyes.

He didn't even "see" the corpse with his eyes - he just used his intuition of "beauty" to forcibly recreate the stunning scenery in front of him.

His painting itself is extremely powerful.

The portrait that Yaweng painted for his grandmother in the past, that is, the painting of Paper Princess, is just a roaring dragon in the painting. On a hot summer day, the windows of the entire street outside the painting will be instantly blocked by ice. .

That painting can easily attract cold snaps and blizzards... and the painting Nigel painted also has one percent of the power.

As long as the curtain on this painting is lifted, the room will become very hot, some things will start to spontaneously ignite, and the mirror will no longer be able to reflect objects, but will continue to emit scorching light...

As we all know, the eyeball itself has a mirror.

That is to say...it may be difficult for mortal eyes to see this painting clearly. It can even blind the eyes of those who look at this painting.

This is already the category of magic painting.

But its power is obviously much better than directly peeking into "The Death of the Sky Chariot Driver".

This is a kind of filtering, a kind of... apocrypha.

It was as if he knew from the very beginning that he could never peep at the driver of the crane. Nigel was specially invited, who was "not a supernatural being and did not understand mysterious knowledge", but he happened to have an "intuition of beauty" and was able to observe and transfer the corpse of the chariot driver without using the naked eye.

In this world, I am afraid he is the only one who can do this.

...But what are they planning to do?

——This is really big news that I have never imagined.

Annan took a deep breath and became energetic.

He originally thought that this was probably a problem at the level of "remnants of the Ice Breaking Army", "artificial frost beast experiment", and "self-made curse cellar".

I never expected that this stick could actually hit the chariot driver and the worm.

The inside of the world - this is not an illusory description.

It is the third level of history, that is, the "history going deeper" and the history of the "secret" itself. It's like mysterious knowledge has been sacrificed...the history that stores "buried mysteries" is the third level of history.

Those who live in the first level of history will never be able to observe the third level of history. Just like people cannot see things without light; in the third level of history, there is no "light" that can enable people to recognize things.

Only gods who are themselves related to secrecy, secrets, and darkness can search directly in the third level of history through the power of truth.

What enters the third level of history is like "data that has been deleted." However, deleted data can also be retrieved through special means.

If you are just thrown into the third level of history, you may be reappeared in the world by the special ritual of the "Mysterious Lady" and the "Silent Lady"...

However, if it is "sewn to the inside of the world", it is like being excluded from the inside. Even if the gods use special rituals, they cannot search for this target.

——But just like cards that are excluded from face-down display, they may still be recycled.

Even if she is sewn to the inside of the world in this way, there is still a way to get her back.

The moment she enters the world, all the information belonging to her in this world will disappear at the same time.

It's like sacrificing mysterious knowledge and the brain will forget it.

If someone is sacrificed, [the world] will forget about him.

And if fate arrives, the world will be torn apart without any information - if that area happens to be the location where she was "sewn inside the world", then she can be dug out again.

"Did it turn out that the driver of the crane died in Lushan..."

Annan muttered to himself.

But...

Where did Count Felix and Rafaello Santi get this information?

Even the name of the chariot driver no longer exists. I am afraid that except for Lady Silence, other righteous gods do not know where she is buried.

It can’t be a coincidence, right?

The skill that can tear the world apart is itself a very high-level ritual.

It is about the same level of difficulty as the tragedy writer's high-status ritual "Sleeping Beauty" or the Sui Father's high-status ritual "Dragon's Purifying Fire". Just the slightest mistake may lead to the god's disgust or even hostility.

Not to mention the large amount of magical materials required for this ritual.

And there is also the manually dug vertical passage...

Construction around an active volcano is very difficult. If too rough methods are used - such as explosives, there is a possibility of something happening.

It takes a lot of money, time and labor to dig down a passage vertically. ~IndoMTL.com~ Then it stayed at a certain depth, launched a large-scale ceremony, and tore a hole in the world.

Just in time, the body of the chariot driver was dug out.

——This is simply like walking in the wilderness and starting to dig at an open space without warning, and then oil spurts out.

In principle, it seems that it can only be explained by coincidence.

But it's such a coincidence. It happened that Annan began to doubt its possibility.

Is this really reasonable?

They even knew not to peek at the corpse of the chariot driver, so they specially invited Nigel, who may be the only painter in the world who can depict the image of the chariot driver.

Even Annan himself did not know what the consequences would be. Or through Nigel’s narration of his finished product, he infers its possible impact.

...No matter what, Annan cannot sit idly by and ignore this.

They may not be Annan’s enemies, but what kind of disaster will this move cause...

...Actually, Annan himself is not very clear.

Because the specific information about the Sky Chariot driver does not exist in this world at all.

No one can remember it, and no book can record it.

The real "person forgotten by the world".

Nigel will have no more information.

He himself didn't know what he had done... I'm afraid not even the master of Hugo Tower would know this secret.

The only person who can answer Annan's doubts is probably Sir Silver.

The only good news is that this problem does not seem to be urgent...it will not directly disrupt Annan's prior arrangements and make him take the subway and run back on the spot.

Annan frowned and sighed at this situation that was beyond his control.

I thought that after collecting all the mirrors, I could take a break...

...As a result, I have to work overtime again.


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