I Became a God in a Horror Game: 77. Children’s Welfare Institute (Second Change)

While Bai Liu was meditating with his own doll, the teacher had already gone to call the remaining five children over.

The five remaining children of the orphanage stood in a row in a row with cramped and numb expressions. None of them dared to look up at Mu Ke. Their eyes seemed to grow on the tip of their toes. One child is a little lame, some have crooked spines, more or less have some disabilities, like a group of cubs that haven't come out of the nest, the five children are pushing and sticking together.

They are like cheap goods under the scrutiny of others, knowing that they are not worth a lot of money, so they appear humble and shy and reticent.

Bai Liu frowned as soon as he got close to these children. The mushroom smell on these children was even stronger than what he smelled from the corpses in the hospital.

Muke couldn't stand it and waved his hand on his nose: "Are you guys eating mushrooms here? Why do you have such a big mushroom taste?"

The teacher hugged the five children in embarrassment: "Actually, they don't eat much,"

Bai Liu's eyes swept over the teacher and the five children: "Did you eat a lot of mushrooms that day?"

The teacher was stunned: "We and these five children all ate, and there is quite a lot."

"Are there any children who were poisoned who ate less? For example, those who only drank a mouthful of mushroom soup?" Bai Liu asked.

The teacher thought about it for a while, and then replied to Bai Liu affirmatively: "Yes, because some children like the mushroom taste, some children don't like it, and some only ate a little bit, but they were still poisoned."

Bai Liu withdrew his gaze, those who ate too much were not poisoned, and those who ate less were also poisoned. It seems that poisoning has nothing to do with the dosage.

But why mushrooms...why are there mushrooms every time something happens in this orphanage?

And what is the condition for this weird mushroom to poison people to death?

Lu Yizhan said that the blood tests and various results of the surviving children at the Children's Welfare Institute were not obviously abnormal. Like Liu Jiayi, they only had a little mild anemia.

There is only one thing in common between the five surviving children and Liu Jiayi who survived the hospital. They all have congenital genetic defects. Liu Jiayi is blind. disabled.

Bai Liu fell into deep thought.

The teacher continued to take Bai Liu and the others to visit the interior of the orphanage, and walked to a room full of various photos, trophies, and various children's paintings.

The teacher turned sideways and introduced to Bai Liu and the others: "This is the exhibition hall of our orphanage."

This is an exhibition hall that no one has visited for a long time. Many trophies and certificates displayed on the cabinets are dusty. It can be seen that this is a well-developed children's welfare home in those days. There are many children's paintings and some awards, and the group photo of the annual June 1 show is also hung on the wall. The color of the photo has changed from distorted to clear. In the last picture, there are more than forty children with cute smiles, but only five After surviving, the five children were following behind the teacher with numb expressions.

This feeling that most of the things on display come from dead people gives this exhibition room a lingering sense of melancholy.

After Bai Liu roughly glanced at the whole picture, he seemed to have discovered something, and looked at the teacher: "Can I take down the photos and some paintings?"

Originally, these things should not be moved easily, but now that the children's welfare home has become like this, there is no such thing as being so particular, so the teacher nodded in agreement.

Muke watched curiously as Bai Liu drew some children's paintings hanging on the wall and placed them on the ground for observation. He leaned over and asked him in a low voice, "Bai Liu, did you find anything?"

"Yeah." Bai Liu responded softly, without looking at Mu Ke, and was fiddling with those children's paintings.

Mu Ke followed Bai Liu's hand with his eyes. These children's paintings are quite good, and it can be seen that they are drawn by children with certain painting skills.

The things I draw include figure sketches, still lifes, colored pencils and crayons, and simple black and white sketches. To this extent, the things drawn seem illogical.

A little girl who looked too thin was sitting on a hospital bed with a white cloth on her eyes, a beautiful small fish with silver blue scales in a jar, and a wooden wooden box on a burnt and melted toy train. Shatter the mirror.

The paintings look like they belong to this orphanage.

Mu Ke stared at it for a while and found something, he said in a little surprise: "These are all drawn by one person? The signatures are all w."

Although the styles of these paintings taken by Bai Liu are very different, the [w] signed on each painting is a very peculiar curly cursive writing on both sides, and each painting is consistent.

Bai Liu was finally willing to give Mu Ke a look, his voice was low and soft, as if whispering: "This is my signature."

Muke was surprised: "Your?! Why is your signature here?!"

Bai Liu didn't explain much, although Mu Ke wanted to know, but seeing that Bai Liu was not going to say anything, he shut up embarrassingly.

The initial letter [w] of white is the customary signature of Bailiu's paintings.

Bai Liu could tell at a glance that these things were his paintings. Although compared with his current painting techniques, which are greener and immature, they were indeed his paintings.

The little girl with blindfolded eyes is obviously Liu Jiayi. The hospital gown is the same style as the one he saw in the hospital this morning. The beautiful silver-blue fish in the jar should refer to the first one. The game "Siren Town" Siren King, the broken mirror on the melted toy train is Bailiu's second game "Burst Last Train".

But these paintings were all signed ten years ago, and Bai Liu ten years ago was not in this private orphanage at all, and it was impossible for Bai Liu ten years ago to know this information.

There is only one possibility. Ten years later, Bai Liu returned to ten years ago in some form, and then drew these things on these children's paintings, and left them in this private children's welfare home.

Ordinary people would definitely panic when encountering such unimaginable things, but it only made Bai Liu further sure that this children's orphanage must be a [official game copy] of a certain [real world].

The only reasonable explanation for these timeline inconsistencies is the official plot development time of this game dungeon. Judging from the signatures of these paintings left by him, it may not be now, but ten years ago.

Bai Liu's fingertips flicked over the inscriptions of these paintings, his gaze sank.

It is very likely that he will enter this game in the future, and leave some traces in this [Children Welfare Institute Game Copy] ten years ago. With this [the official version of the game copy] loaded into the [real world] ], the orphanage that recorded Bai Liu's traces in the game into the current timeline.

This is not a good thing.

The player's traces will always remain in a certain copy of the game. This usually happens only after the customs clearance fails. Just like before Zhang Puppet's death was alienated into a scorched corpse monster and will always stay in the "Burst Last Train". Just like in the copy, the imprints left by these deaths and failures will become part of the game, as the copy is loaded into reality.

But the doomed ending did not scare Bai Liu, he thought calmly.

At present, there are still two doubts about Bai Liu. His eyes slowly fell on the face of a boy in the corner of the first group photo of children in 200x.

This boy has no emotion at all on his face. When he looks sideways at people, he has a feeling of being beaten by [you stupid mortals], and a feeling of loneliness that is out of place. He is fourteen years old. Bai Liu saw it again Those paintings with sharp pens and exaggerated colors.

This feeling of taking pictures, and this style of painting are indeed the look he liked to use when he was fourteen years old, and the pose he used to take pictures.

Bai Liu didn't use this colorful painting style for a long time, because it was too ostentatious. After being blocked by his boss a few times, he criticized him for mental pollution. The market acceptance was not high, so Bai Liu decisively gave up this style. I never drew again after that.

These paintings and the [Bai Liu] photographed on them are indeed the style he used when he was fourteen years old, and the strange thing is that the information revealed on these paintings is indeed only known to the twenty-four-year-old Bai Liu , the problem now is - if he is in this game at the age of twenty-four, then Bai Liu is sure that he will not draw like this.

And if the setting of this game makes Bai Liu's memory go back to ten years ago in all aspects, then it is impossible for him to know the information that he only knows now.

This is a Bai Liu who has the memory of 24 years old, but has the style and personality of 14 years old. Logically speaking, Bai Liu thinks it is impossible, because memory is an important factor in determining a person's style and character. With the memory of the next ten years, he will definitely not be what he was ten years ago.

The 14-year-old and 24-year-old Bai Liu existed separately in the copy of the [Children's Orphanage Ten Years Ago] game. This was the first point of Bai Liu's doubts.

The second point of doubt is——Bai Liu looked at the figure sketch, it was a black and white figure sketch, a girl was sitting on a hospital bed with a doll in her arms, curled up and hugged her knees, The eyes are covered with a white cloth, which is a very fine sketch of a character.

But Bai Liu clearly remembered that at the age of fourteen, he hated drawing sketches, because he liked things with strong colors at that time, and sketches, which were relatively documentary-style, were very repulsive to Bai Liu in that period, and he rarely drew sketches. If you want to paint, you usually practice by painting still life, and you basically don't paint figures.

Why did the fourteen-year-old Bai Liu draw a sketch of a character he hated for Liu Jiayi? At that time, Liu Jiayi was not born at all, so there shouldn't be any traces.

Could it be that Liu Jiayi will also enter this dungeon?

But even if Liu Jiayi entered the game, she is still a newcomer. Normally, her first dungeon should be a single-player game. This dungeon is obviously a multiplayer dungeon, unless Liu Jiayi quickly cleared her first game. Then she entered the multiplayer game where Bai Liu was, and then she appeared in the painting.

But Liu Huai, an old player with some experience, probably wouldn't allow his sister to be so aggressive.

So why did this kid appear here?

Bai Liu scanned the whole painting in thought, and finally stopped at the doll held by Liu Jiayi in the face——

——The doll in the painting, with a white shirt and black trousers, was held by the little girl, smiling with her face turned towards the outside, at first glance, there seemed to be nothing wrong, but after staring at it for a while, Bai Liu realized something was wrong up.

The doll's head is turned back too much, it doesn't look like it's turned back, it looks like it's been twisted a hundred and eighty degrees.

Looking at the painting, Bai Liu fiddled with the coin hanging on his heart, his eyes narrowed slightly.