Daomu Biji Chapter 79: Strange shadow on the wall
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This is indeed a surprise, and I sincerely admire the fat man's meticulousness.
I don’t know if it was the light I was in that caused me to miss a lot of details that I should have observed.
At the same time, the fat man next to him also started talking.
"When other armies go out to fight, they have flags fluttering and colorful flags fluttering. There are several handsome flags. Even if they can't catch up with our great people's army in this battle, they still have to follow the example of the Red Guards. ?The result is that the Zhang family didn’t fly the flag at all?" said the fat man.
"Look at these weapons again. In any army, they all have swords on their backs, shields in their hands, and various halberds. Why is it that when this family goes out to fight, all they have in their hands are ropes and hooks? Are you carrying shovels behind you?" The fat man paused.
"Look at the team on the other side. It's quite evil." The fat man said and moved a few steps to the right before continuing.
"This team is even more abnormal. The leader looks like O'Neal, but he wears crotchless pants like a Korean lady. If you look at the soldiers behind him, there is no one there. They all look like big rice dumplings with skeletons. There are so many strange things, but you didn’t see them?” The fat man said to me in a show-off tone.
While I watched in detail, I listened to the fat man’s nagging and scolding, but my heart had already changed from the earliest surprise to the current excitement.
Perhaps even the fat man didn't notice that beside the man who looked like General Zhang, besides the military counselor, there was also a sergeant, and the thing the sergeant held in his hand was neither a shovel nor a shovel. The scratching hook is the texture map that the armored general holds in the fifth wall carving!
Until now, facing this incredible seventh wall carving, I can finally be sure that all our previous speculations about this series of wall carvings are correct, because this seventh wall carving is still continuing. It follows the story and logic of the previous wall carvings, rather than highlighting the achievements of the Zhang family general in front of him.
What this seventh wall carving shows is not the confrontation between the two armies in the ancient battlefield, but just a metaphorical picture. This is not a meeting of swordsmen. In fact, it is simply describing the Zhang family's formation and falling to the ground. Fighting, the spirit of not flinching in the face of countless rice dumplings, and the leader opposite with a shining ring on his hand and wearing a typical ancient Korean "Goguryeo" warrior armor, could it be the most famous emperor in the history of Korea, "Goguryeo" king"?
Seeing this, I can already conclude that these series of wall carvings are all coherent and are a comic strip. The ancestors of the Zhang family must have hoped to use this series of wall carvings to inform the descendants of the Zhang family, especially It is a thing or a clue used by the descendants of the Zhang family to achieve a certain "purpose" or a certain "task".
These discoveries were enough to excite me for a while. I could feel my concentration, as if I had integrated into the breadth and depth of the Zhang family.
The wisdom and bloodline of the Zhang family’s ancestors have been fully and completely displayed before my eyes.
If we can take photos and make rubbings of these wall carvings, I believe that these rubbings and photos can definitely be included in the Palace Museum for display to show the "great achievements" of the Zhang family in this continuous line. Even if I only see Come to the seventh picture.
Now, no matter whether my ancestors originated from Zhang Liang's Warring States period or they were formed during the emperor's period, in short, this intricate story has already affected me and I can't wait to move towards the eighth wall carving. No matter what will be described below I want to see everything completely and find out what it is.
"Let's go to the eighth picture." I squeezed the fat man to the right, but my eyes never left the fascinating wall carving.
What surprised me was that the fat man did not intend to leave the seventh picture, but stood there blankly.
"What's wrong? Is there anything else found in this seventh painting?", I asked the fat man in confusion.
"Innocent, don't make a sound or look around. Look at the shadow on the wall on the right." The fat man suddenly said to me in a very small voice, but even though his voice was small, I could hear the tone in his tone. The tension is long.