Daomu Biji Chapter 77: Purpose of wall carvings
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"Fat man, what do you think of those people in the fifth picture?" I also lit a cigarette and blew smoke rings at the fat man. For such a long time, our surroundings have been quiet and there has been no danger. Zhao, this shows that there is no special mystery in the design of the seventh floor of Zhangjia Ancient Building, which is just right for us who are tired to relax for a while and get ready to go.
"Those four people you mean? Fatty doesn't know any of them, so we can only rely on guessing." The fat man shook his big head and paused.
"The one who became an immortal is probably the old goblin Zhang Liang. The other one wearing a Taoist robe may be Zhang..., Tianzhen, what is the name of that **** old Taoist leader?, I I forgot, my name is Zhang Shaling," the fat man said.
"What mausoleum is Zhang? Mausoleum? Taoist? Robbery? Mausoleum?" I muttered the name silently and was stunned. It couldn't be such a coincidence, could it? Are these words so consistent?
I really regret why I didn’t read the Zhang family’s genealogy carefully when I was downstairs. I looked through each room, and I didn’t miss every room. Maybe I wouldn’t have to spend money in a place where people like dogs and dogs don’t like to be seen. Got my brains out.
"Fat man, please help me add up the total. No matter how I look at this wall carving, it doesn't look like a narrative prose. Do you think this is a proposition composition left by the ancestors of the Zhang family to the descendants of the Zhang family? ?, or is it an equation?", I said to the fat man.
"You're still awake from last night's wine, right? What's wrong with writing? Fatty doesn't understand. What do you want to say? Please greet me quickly. Fatty feels uncomfortable sitting in this place," the fat man said. .
"What I mean is that we may have thought wrong. The wall carvings here are not actually the so-called ancestors of the Zhang family telling future generations about the great achievements of the Zhang family. Instead, they are explaining tasks and achievements to future generations. Where the content of the mission is described, look at the fifth wall carving. Maybe Zhang Liang is explaining the content of the mission to several descendants!" I seemed to grasp the only clue in my mind and explained to the fat man.
"Recall the sixth wall carving you just saw. Think about it. There are so many people building temples, but the leader is a young man. And you can conclude that he is also a descendant of the Zhang family. I just looked at the painting. When I was there, I was thinking about the "Ashoka Temple". Why did it sound so familiar? Now I suddenly remembered, "Ashoka Temple", isn't it the current Famen Temple in Shaanxi? The site of Qin Shihuang back then? I have been to Famen Temple. , I saw it in the temple inscription. It was first called Ashoka Temple, and later in the Tang Dynasty it was renamed Famen Temple!" I said to the fat man carefully.
In fact, these are not speculations.
Since the ancestors of the Zhang family could use a single wall carving to describe the construction of Famen Temple and the shining ancient pagoda, then this wall carving must have its absolute significance.
"Shine"? This seems to be a word we mentioned countless times today.
The objects in Qin Shihuang's hands were shining wantonly, shocking the government and the public, and the people knelt down to worship;
The things in Liu Bang's hands shined brightly, he regarded himself as precious, and he did not hesitate to get it at the cost of his life;
The ancient pagoda of Famen Temple also shines...? Ashoka...?
A very bold hypothesis emerged.
Among the six wall carvings here, three are describing this rare treasure. If these three wall carvings are really describing the same thing, what could it be?
"Buddha relics, the true body relics of Sakyamuni Buddha".
Yes, this is the true meaning of these few wall carvings. If the above reasoning is correct, then the ancestors of the Zhang family are actually telling us everything they have experienced.
It is a piece of Buddha's true body relic that everyone wants to have, which can protect all people's happiness and merit for a lifetime. Judging from the time, the time when Qin Shihuang obtained the relic coincides with the time when the legendary Buddha's relics were scattered around the world.
And Liu Bang rushed to Xianyang regardless of life and death, success or failure, and the consequences. If his purpose was this relic, then it can be said that it is nonsense to enter Xianyang to win the King of Qin. If he got the relic, he would win.
So, I also figured out why Xiang Yu entered Xianyang late and found that Liu Bang had entered first. He immediately became so angry that he killed the Qin Shi clan, burned Xianyang Palace, and killed thousands of people to vent his anger.
But if Liu Bang got this thing, what does it have to do with the Zhang family?
If Zhang Liang is really arranging tasks and laying out the layout as described in the fifth picture, then what is the basis?
I repeatedly recalled every detail of the fifth wall carving in my mind: the old man, the immortal way, the armor, the map, the star map, Taoism, cloth, yes, the roll of cloth Zhang Liang was holding, the roll of Chu Kingdom The brocade manuscript was presented as tribute to the First Emperor of Qin, but was later stolen by Zhang Liang.
Could it be that there is another mystery in this manuscript?
Wait a minute, Chu State, King Lu Shang, wasn’t Lu State destroyed by Chu State? Could it be that this "brocade manuscript" paid tribute by the Chu State is actually the "Warring States Silk Script" manuscript produced by the Iron Mask?