Daomu Biji Chapter 74: Golden manuscript
www.lnmao.org, the fastest update to the latest chapters of Tomb Raider Notes Nine Chapters!
I stopped the fat man from lighting the fourth firework.
On the way here from Beijing, although I bought all the equipment I needed, including some lighting and fireworks, it was only enough for me, and the quantity was not large. It must not be so bad.
Now, what I mean is that in the parts that we can see clearly at the moment, we should first figure out what the ancestors of the Zhang family want to tell the descendants of the Zhang family in these previous paintings?
I don’t know much about history. After a closer look, although I can understand one or two of them, I can’t completely guess it from point to point. I have to figure out a clue. If there is really no clue, then it’s better to It would be a good idea to find the entrance to the top floor as early as possible, do the important things first, and then come back to figure it out.
After all, we are now in "other people's" territory. As long as there is an active master in this territory, anyone can easily kill both of us.
Furthermore, my subconscious tells us that the closer we get to the top floor of the Zhang family’s ancient building, the more it touches the core of the Zhang family, and the closer we get to the bottom of the building, the more it touches the purpose of the ancient building. core. The core of the Zhang family comes from the family background of the Zhang family, and the core of the purpose of the ancient building should be related to the results obtained from the placement of coffins.
"Fat man, stop lighting it. If this continues, even if we throw out all the fireworks, it won't be enough to see a few fireworks. We must first get a clue before watching, so that the progress will be faster." I put the firework in Fat Man's hand Putting the fireworks back into his backpack, he said to him.
"What else are you looking at? This is what the ancestors of the Zhang family left behind to tell my younger brother to use it. They must know that my younger brother is forgetful and are afraid of forgetting the roots of their ancestors." The fat man shook his big head and said, and then he pulled me quickly to the first frame of the wall carving.
"Look, there is this man standing in front of the palace. Judging from his height and the attire of these soldiers, he must be Qin Shihuang. But based on this wall carving, you will say that our little brother is a descendant of the old Qin family. That's nonsense. I guess this first picture is just to tell us what kind of treasure Lao Qin has got. He is showing it off in front of everyone. The people kneeling below were shocked. I guess they are kneeling now. Are you shouting 'unify the world for eternity'?" The fat man said.
Immediately, he walked towards the second picture.
"I don't understand the second picture of Fatty. This guy seems to have gone to the palace to steal something. What he stole was the piece of cloth that Qin Shihuang just held. He was found out. Isn't this a serious fight? ? However, naively, based on Fatty’s judgment, the man who steals things should be the protagonist of these paintings. Have you ever seen anti-Japanese movies? Landmine warfare, tunnel warfare, plain guerrillas, etc. The positive characters there must have thick eyebrows. With his big eyes, he looks like a good person. I guess this is how the Zhang family describes their ancestors. You can't paint your ancestors like a fat man. He's a big girl and you don't want to see him, right?"
"Come on, come on, look at the third picture." As he said that, the fat man's figure had moved to the third picture, and I seemed to be attracted by what the fat man just said, and I still stayed there. In front of the second picture.
"Innocent, this third painting must be followed by the fourth painting. Only by looking at them together can we easily identify the specific characters. Are you right? Look, the friend in the third painting was drunk and had **** with a snake. He got up and was about to chop; and the fourth painting is of this guy burning the Qin Palace. Who could this person be? Liu Bang, The Snake-Slaying Rebellion. I listened to this book in a teahouse on Laoyandai Xiejie. It was very good. . Later, Liu Bang and Xiang Yu competed to enter Xianyang. Liu Bang got Xianyang first to collect the fruits of victory. I have also heard this part. Damn it, little innocent, don’t tell me, the old Zhang family is really a big family. Look at this snake. The carvings even have snake scales, as if they were scanned, this craftsmanship is amazing!"
I didn’t pay attention to Fatty’s thoughts on the third and fourth pictures. My attention was completely focused on the word the fat man just mentioned - "cloth".
What is related to this term is the "brocade manuscript" that the old fox of Qi mentioned to me when I was in Beijing. Qin Shihuang got this silk copy and started the Xianyang plan to pursue His immortality.
If the thing in his left hand is really the "brocade manuscript and silk", then the thing in his right hand must be closely related to immortality and have different aspects, which will make all the people kneel down in shock.
So what the handsome man in the second picture stole were these two things?
But in the painting, we only see him holding the cloth. Could it be that he only got the cloth at that time? So that’s why there was the fourth picture of the thing that the big man held in his hands?