Blue and White Society: The Eighth Thought of Shan Hai Jing: Heaven’s Executioner

If a book friend forced you to write Xing Tian, ​​then don't blame me for breaking your dream.

Actually, according to my plan, it's not my turn to write Xing Tian, ​​because I haven't had time to write about the Yellow Emperor and the Nine Heavens Xuannv.

My plan is to write these two first, and then write Yinglong Zhulong, so that I can explain Xingtian.

Then outlines the entire legendary epic of Xuanyuan proclaiming the emperor.

But now that the new book has been released, it may take a long time to update Shan Hai Jing. Let's first satisfy the wish of book friends who want to read Xing Tian.

About Xingtian, there is actually not much to say. His story is not as important as that of Nine Heavens Xuannv.

First of all, one thing to remember is that the name Xing Tian should have been given after his death.

Judging from the pictograms of oracle bone inscriptions and bronze inscriptions, the character Xing is an execution platform with a head clamped, and a big knife next to it. Public executions meant punishment.

Needless to say the sky, a horizontal line is added on the head, which means that the sky is on the head.

Sometimes, it also refers to the head, because the head is as important to people as the sky. The human head is also located in the 'heavenly' part of the human body.

So Xingtian is probably the oldest and most compelling way to express the word beheading.

It is used as the name of a person, and it can be derived and understood as the meaning of 'one whose head is separated'. Or it means 'punishment in the sky', that is, 'those who are beheaded by heaven'.

In ancient times, if we said 'that Xingtian', I'm afraid it was specifically referring to the 'the first person whose head was publicly beheaded' back then.

Xing Tian, ​​having such a great honor may not necessarily be the reason for being the "first", but it may also be because of his lofty status or being unforgettable.

Furthermore, even if his name was forgotten, everyone would use the title 'Xing Tian' to refer to him instead.

What is this like?

You know Yi Ya, right? Famous chefs in the pre-Qin period. There is also Pao Ding, who is also a famous chef of a generation, and he is a master at butchering cattle.

So when later generations honored cooking, they all said "the way of easy teeth".

When it comes to knife skills, it is called "Paoding's Art".

Xing Tian is also in a similar situation. He is definitely not called Xing Tian, ​​but because his public beheading is too famous and impressive, so after his death, the ancients spread his deeds and called him Xing Tian.

It was the punishment of public beheading, a particularly pleasant saying, which was used to refer to his real name.

As for Xing Tian's real name, it is already impossible to test.

It is also said that he is under Chi You, and some say that he is under Emperor Yan, but there is no basis for this. In fact, Xing Tian only has this record left, and other pre-Qin documents do not mention this person at all.

Then Xing Tian, ​​why is it so hard to forget? Just a loser, a beheaded guy who doesn't even have a name.

The reason, I think you all know that Xing Tianwu is a relative, and Meng Zhigu is always there.

He became famous only after he died.

It is only after death that it shocks the world.

Therefore, no one remembers his name when he was alive, and disappeared into the long river of history. But the shock of his death was forever engraved in the hearts of the people at that time, and finally became famous through the ages, leaving behind the legend of Xing Tian.

So what is the earliest source of this legend?

Undoubtedly, the Shan Hai Jing: "Xing Tian and the emperor came here to fight for the gods. The emperor cut off his head and buried it in the mountain of Changyang. The **** are the eyes, the navel is the mouth, and the dry Qi dances."

The ancients wrote a few strokes, and an unyielding will was vividly written on the paper.

This is also Xing Tian's only record.

I still believe in this record, because it continues the ruthless writing style of Shan Hai Jing.

There is no praise for Xing Tian's performance, or a description of its principles.

Why is Xing Tian still dancing there with his severed head? Is it because the fierce will is always there, and the tenacious and unyielding will supports him? Nothing written, nothing mentioned, nothing hinted at.

That's right! Who the **** knows what he's thinking?

In comparison, Kuafu mentioned "Kuafu does not measure his strength"... I feel that it is not objective, and it is obviously processed by later generations.

Most of the records in the Classic of Mountains and Seas are written in cold and direct words, a very honest style of writing.

Xing Tian's paragraph is more in line.

The content is very straightforward, and I think I can understand it without translation.

The only thing that needs to be explained is the meaning of some specific words in it.

In different times, words have different meanings in different national conditions.

There are countless explanations for this sentence alone.

Emperor needless to say, I have talked about so many emperors before, and the emperor is the master of the world.

What about God?

Many experts in the mainstream academic circles, when interpreting the Shan Hai Jing, believe that the emperor is the god, and it is the special name of the Chinese people for the gods.

This is obviously wrong, and I don't agree with it anyway.

As I said before when I interpreted it, Shan Hai Jing is a strictly classified history and geography book.

He is the earliest work that I think human beings use taxonomy!

It is a person, a god, a mountain, a water, a beast, a bird... The author has classified them one by one. Whether it is correct or not, he has at least classified it according to his understanding.

Recorded extremely calmly, just like an academic report. You only read the Five Zang Mountains, one mountain after another, and what is in each mountain is clearly and rigorously formatted!

This is a great tool for me to interpret Shan Hai Jing, so I know that Jing Wei is a bird, neither a **** nor a human being.

Respecting this format, this principle of classification, and this sense of ritual of the ancients is the cornerstone of my interpretation of Shan Hai Jing.

I once said that the gods in Shan Hai Jing may not have the same meaning as we do now.

It was said at the time that I will explain it later.

Now it's time to explain.

Shan Hai Jing is filled with a large number of classifications such as "there are gods" and "there are gods".

For example: "There is a god. The human face is snake-like and red, with straight eyes and straight eyes. Its eyes are dark, and its eyes are bright. It does not eat or sleep, and the wind and rain are the same. It is Zhu Jiuyin, and it is Candle Dragon. .”

This is a typical, classified as a godly being.

The old rule, to explain God, trace back to its most ancient meaning.

For the most ancient meaning, we have to look at oracle bone inscriptions.

Bronze inscriptions are the characters of the Western Zhou Dynasty, and Oracle bone inscriptions are the characters of the Yin and Shang Dynasties. Because our country is a pictographic system, it is inherited in one continuous line, and the meaning can be understood from the pictograms.

Then how to write the **** of oracle bone inscriptions? You may not believe it when you say it, but the word is 'electricity'.

You may want to say, don’t you speak the word of God? How to talk about electricity?

But yes, in oracle bone inscriptions, these two are the same word!

Pictographically, it is a bolt of lightning!

'?' probably looks like this, a reverse S, I really can't type it out.

In short, it is the word electric, and it is indeed used as the meaning of electricity.

But why, if it is said to be a divine character, it is because it is indeed used as a divine character in some oracle bone inscriptions.

Many additional meanings of oracle bone inscriptions are deciphered through context.

The merchants of the Yin Dynasty were a superstitious tribe, and they used the word "God" a lot, so scholars found out in context, how could the word "God" be written with "Electricity"?

It can be seen from this that another meaning of the word electricity in oracle bone inscriptions is God.

Strange, didn't Yin merchants worship birds? Why do you regard electricity as a god? This proves from the side that there must be earlier texts before oracle bone inscriptions!

Oracle bone inscriptions are definitely not the earliest form of Chinese, it must have a more primitive system.

Too far away, in short, relevant experts explained that it is normal to regard electricity as a god.

In Chinese, there is often a word that represents multiple meanings. After all, our writing system is like this, pictographs, extensions, broad senses, narrow senses, noun verbs, etc.

The ancients could not explain the natural phenomena, even the wind, rain, and ice were miraculous, but among the natural phenomena, the most shocking one was undoubtedly 'lightning'!

That's why the ancients, after inventing the word 'electricity', extended the meaning of 'god', which means concepts that are incomprehensible to human beings, admirable, full of power, and incomparably miraculous.

This is the prevailing interpretation. Well, I can't argue with that, it's about the most plausible explanation.

I personally support this explanation.

The meaning of the word "God" in our country originated from the ancients' incomprehension of lightning, which makes perfect sense,

The subsequent bronze inscriptions and divine characters have undergone changes on the basis of electronic characters.

The people of the Zhou Dynasty added a radical to the word 'electricity', which is a pictogram for offering sacrifices on an altar.

An altar on the left and a lightning bolt on the right.

This is the word "God" in the bronze inscriptions, and it also laid the foundation for the later seal script, official script, and even modern Chinese characters. Afterwards, the pictographic structure of the bronze inscriptions was simplified, so that it became our current god. the word.

Well, it is very reasonable, but it is incompatible with the classification of Shan Hai Jing.

Because according to this statement, the gods in the eyes of the ancients before the Xia Dynasty in ancient times refer to gods, gods, supernatural, incomparably miraculous, just like our modern times.

Then it is very strange to contact the whole chapter of Shan Hai Jing.

For example, "There is a **** with a human face and a beast body, and his name is Li."

This **** named Li has a human face and an animal body... Well, the ancients couldn't understand this thing, and felt very miraculous. ?

Then why "there is a beast, whose shape is like a leopard but has a long tail, a human head and a cow's ears, one eye, and its name is Zhujian." But it is a beast?

There is also "there is a beast, whose shape is like a dog and has a human face. It is good at throwing, and laughs when it sees people. It is famous for its mountain swing, and its movements are like the wind. When you see it, there will be a strong wind in the world."

They are all human faces and beast bodies, and they are even miraculous, why not gods? But 'there are beasts'? But beasts?

Some people may ask, maybe that thing is more like a human being, so it is called a god.

OK.

"The Yu Republic is in the southeast of it. It is a man with a long head and a body with feathers."

"There is a country of cattle and li. There are people without bones, the son of Dan'er."

"There is a man with three faces, the son of Zhuanxu, with three faces and one arm, and a man with three faces will never die."

Why are these human beings, equally weird, why are they human, god, and beast? So clearly?

Is it because of strength? God has powerful divine power?

First of all, we exclude the real supernatural, that is to say, the thing called **** is because the ancients looked and thought he was awesome?

OK.

"In the south of the West Sea, on the shore of the quicksand, behind the Chishui River, and before the Black River, there is a big mountain called Kunlun Hill. It has a god, a human face and a tiger's body, with writing and a tail, all white. Below it is The abyss of weak water surrounds it, and there is a mountain of flames outside of it, where things are thrown. There are people with hoops, tiger teeth, and leopard tails. The hole is called Queen Mother of the West. This mountain has everything."

Note, combined with other descriptions about Lu Wu in Shan Hai Jing, we can know that this **** with a "human face and a tiger body" and "a man with a tail" is Lu Wu, the gatekeeper **** of Kunlun.

According to other descriptions about Kunlun in Shan Hai Jing, we also know that the owner of Kunlun Hill is the Queen Mother of the West.

The classification of the Queen Mother of the West here... It is clearly written, 'someone'! 'Someone'! 'Someone'!

The Queen Mother of the West of Kunlun is a human being, while the **** Lu Wu is the gatekeeper.

What's going on? What's up with the author? Why not classify the Queen Mother of the West as a god?

This is Queen Mother of the West! Three thousand years after the author of Shan Hai Jing, countless descendants worshiped her as a god. The author of Shan Hai Jing, as an ancestor, why do you understand differently from us? You actually said she was human?

Well, I can't say: "You are just the author of Shan Hai Jing, you know the Shan Hai Jing."

This is ridiculous.

It's still the same sentence, everything takes Shan Hai Jing as the truth, as the basic premise.

Then we can see that the author of Shan Hai Jing writes so calmly!

What should be a man is a man, what should be a **** is a god.

Whether the shape is weird or not, whether it is understandable or not, whether it is powerful or not, it has nothing to do with classification.

Well, here I would like to mention that a new term is popular now, that is wizards.

All the gods in Shan Hai Jing are wizards. They make up, tattoo, wear feathers, horns, and animal skins. They are gods and ghosts, fooling the people and calling themselves gods.

That's why there are so many "shenyans" in Shan Hai Jing, but in fact, they are all wizards in our eyes.

OK, this explanation makes sense.

But unfortunately, I don't agree.

Perhaps the ancient wizard did fool the people at that time, but he will never fool the author of Shan Hai Jing!

It's very simple. In the Classic of Mountains and Seas, there is a category of 'Witch'!

If gods are shamans, then why is there such a category as shamans? Isn't this a repeat?

"There are Lingshan, Wuxian, Wuji, Wupan, Wupeng, Wugu, Wuzhen, Wuli, Wudai, Wuxie, Wuluo and ten witches, from now on, a hundred medicines are here."

It is clearly written here that the 'Ten Witches' rise and fall here, ascend to the sky and descend again.

This is the witch, they play with herbs, the author of Shan Hai Jing understands it very clearly.

"There is a man named Baigao, and Baigao goes up and down here, as far as the sky."

Look, the existence in this paragraph is said to be human again. Obviously this person named Pago will also go to heaven, and also go up and down.

Why is he not a witch? Why is he not a god?

Why is it a human being?

To sum up, we can know that the classification of humans and gods has nothing to do with shape or status.

It's texture! It is a material division, and it can be distinguished by people at that time, and it is clearly known that it is not a human being, a beast, or another "living creature" that is not even flesh and blood.

"There are a lot of fish among them, one head and ten bodies, its sound is like a barking dog, and it has been eaten." I have said this, it is an octopus.

Although this thing has one head and ten bodies, it looks extremely weird.

But ask yourself, if you see an octopus, do you think it is a god?

No, even a child knows that it is an animal.

It's not because adults taught it, but because of the texture.

It's the lively breath of life.

Let me give another example, such as a bear and a teddy bear.

They all look the same, and both move, but both bark.

But I don't think anyone can't tell which is the little bear and which is the big teddy bear, right?

Now let's identify the following description objects.

There is Beast Yan, whose shape is like a giant dog, with a black body and canine teeth. It walks upright and barks like a tiger.

There is a god, its shape is like a bear, its bark is like a tiger, and it has its arms on its head!

Excuse me, what are they? This example, I think it is enough to understand, raise your hand if you don't understand!

If you raise your hand upstairs, everyone bully her!

All in all, don't take the ancients for fools.

The ancients just had a sparse vocabulary, but it was rare and refined!

They saw monsters they had never seen before, no matter how terrifying and miraculous, at least the author of Shan Hai Jing calmly wrote down... there are beasts!

Because he knew it was an animal! It's an animal! It's an animal!

Biological and non-biological, the obvious feeling is different, texture! A kind of inner, essential, different that the ancients can see!

Countless people called The Classic of Mountains and Seas weird and disorderly, but I could see two characters between the words!

Sane!

This is an encyclopedia with rigorous classification.

In that era, there were the national conditions of that era, the "conventions" of that era, and the common sense of that era!

It's like the author of Shan Hai Jing never explained 'dragon', 'human', or what 'fish' is.

So he didn't explain what "God" is in the Shan Hai Jing.

Because this is common sense, the author believes that as long as you know the characters! can understand its meaning. How can an illiterate read the Classic of Mountains and Seas?

So it is also the image of a human head and an animal body. He only needs to add the sentence "There is a god" in front, and people in that era will understand it.

Because of God, this classification itself already contains a huge amount of information! It has already introduced the 'texture' that is difficult to describe in words.

What does this look like? It's like our report said: "There is a machine that looks like a dog. It can run and bark by itself."

"There is a man who looks like a dog and can run and bark by himself."

Isn't this the same line? When we describe a thing, shouldn't we just say something from the very beginning, is there XX?

Give me a category first. This kind of grammar that we are used to has been used extensively in Shan Hai Jing!

If you don’t add this sentence, just look at ‘It looks like a dog, it can run and bark by itself. ’

Ghost knows what it is! People in that era would have misunderstood themselves!

But add a classification, it can be understood.

To sum up, I think 'God' is not an animal.

Because it is neither 'people' nor 'beasts', nor is it flowers, grass, fish and birds.

For people of that era to separate the category of 'god', one can imagine that its texture must be very special, probably like dead objects such as stones and iron.

But what! It doesn't use words like "there are stones".

So gods must not be ordinary dead objects, they may move, or they may have special structures, special meanings, and special functions.

After so many exclusions, I can only think of... utensils.

Shan Hai Jing does not have the category of 'device'.

Maybe there is, just named God.

Let's go back to the previous sentence: "There is a **** with a human face and a beast body, and his name is Plow."

Oh my god, it's too short. If it's defined by gods and monsters, why is this thing a god?

But what if God is a tool? Is it a machine?

This **** named plow...could it be the one who plows and plows the soil?

I don't know, I only know that a large number of gods in Shan Hai Jing were born of the Yellow Emperor, Zhuanxu, and Shaohao.

Sheng, as I explained before, has the meaning of creation and derivation.

So in fact, it is the emperors who invented all kinds of machinery and appliances, and called them gods.

Be rational, then, I can say that in ancient times, the so-called gods were nothing more than the crystallization of national wisdom, special products created by great leaders, miraculous man-made objects!

It can be a magnificent spectacle, an institution that can guard one side, or a tool that can benefit the people.

There can be gods who shine like candles, gods who drain water, gods who turn mountains and crack earth, and gods who are immortal.

In the era created by the ancient emperors, gods are just tools.

…

Actually, it's best to end here, alas, it's so annoying. Just let me interpret Xing Tian...

As I said above, it is best to first interpret the Yellow Emperor, the Nine Heavens Xuannv, Ying Long, and the categories of "God" before interpreting small stories like Xing Tian...

It's a pity.

About the above explanation of God, there are actually a lot of things I didn’t say, after all, it’s not about God.

The above are more realistic appearances of gods. Many people may not have thought that the gods of our nation have never been supernatural.

It is hard for us in modern times to believe that the meaning of our gods is not some gods and monsters, but a very practical spectacle, a very practical project, and a very practical appliance.

It specifically refers to the creature!

We have been a creative nation since ancient times.

Not a God-given nation!

Gods were created, not humans.

It's just that we have forgotten the wisdom and rationality of the ancient ancestors.

The humanistic thought of our nation was established by them. Man will conquer the sky, connect the heavens and the earth, unyielding to nature, and indomitable. This is the spirit that has appeared since then.

What is God? Is it too tall? The emperor is the king of great merit!

All the gods were born of the emperors. In the Book of Mountains and Seas, the gods guard the Kunlun Jiujingyan, guard the Sifang Gate, and serve as the emperor's field.

Great, the Lord of Kunlun, the Queen Mother of the West, is actually a human being, so magnificent!

The scenery behind this, and the humanistic thoughts of that era, are so profound that modern people may not be able to imagine.

After reading the Classic of Mountains and Seas, I can fully understand this feeling, and understand why we are a nation that can connect heaven and earth.

Maybe we have lost and forgotten too much, but the spirit has been engraved in the bones.

From the **** of oracle bone inscriptions to the **** of bronze inscriptions, the biggest change is the addition of an altar next to the lightning!

Unexpectedly, the most superstitious Yin merchants did not add it, but the Zhou Dynasty people with thick eyebrows and big eyes added...

As soon as this altar is added! For thousands of years, the word God began to develop toward our definition today.

Well, in summary, this is my most sensible interpretation.

As usual, let's have some science fiction.

Why did the word 'electricity' represent God in the Yin and Shang Dynasties?

What happened? From the perspective of Shan Hai Jing, the more I think about it, the more confused I become.

Could it be that a Yin merchant thought that the greatest, most shocking, and most miraculous invention in ancient times... was electricity?

First of all, I would like to declare that I have no objection to the mainstream explanation of Oracle experts that I introduced to you earlier, because it is very reasonable.

I am just putting forward another bold guess here. God was a created being in the era of Shan Hai Jing, in ancient times.

But not all created beings can be called gods. It also has to be about electricity.

For example, it needs to be driven by electricity...or it can control electricity...at least, it has electricity...

Therefore, the author of Shan Hai Jing did not use the word "device" when classifying, because it is not comprehensive enough.

He chose to use the word 'electricity'. Because they are 'electrical appliances'.

This word is used and used. By the Yin and Shang Dynasties, the technology of electrical appliances was gone, so the word electric has the meaning of gods.

The Book of Mountains and Seas is filled with a lot of "there are gods", could it be "there are electricity"?

Or, he means, this thing is a charged object?

Electrically driven creatures can move, can make sounds, can look weird, have special functions, and even have a little intelligence.

In this way, many gods in Shan Hai Jing can be explained.

Flesh and living creatures, no matter how weird, are called beasts.

The body of metal instruments, no matter how mediocre, is called a god.

Gods are man-made, beasts are born.

Then Candle Dragon...

Forget it, forget it, digress, pull it back, and talk about it in detail later.

The above about God is my personal interpretation. So far I have not seen a similar statement, purely exclusive imagination. As soon as this concept comes out, you can actually interpret the Classic of Mountains and Seas yourself...

In short, after understanding this, we can return to 'Xing Tian' now.

"Xingtian and the emperor came here to compete for gods. The emperor cut off his head and buried it in the mountain of Changyang. With the **** as the eyes and the navel as the mouth, the dry Qi dances."

What is the name of Xing Tian, ​​I don't know, it may even be a tribe.

Who is the emperor? There is a high probability that it is the Yellow Emperor, and both I and the mainstream academic circles think so.

First of all, he should not be the Black Emperor Zhuanxu.

Because of the black emperor Zhuanxu, there is a similar story: 'Gonggong and Zhuanxu fight for the emperor'.

Attention to detail.

One is 'fighting against the emperor', and the other is 'fighting against Zhuanxu for the emperor'.

There is no doubt that when the former fights for the gods, the opponent has already claimed the title of emperor, and what they are fighting for is the god.

The latter are all called Zhuanxu, which shows that Zhuanxu was not yet the emperor when the Gonggong struggled. They fought for the throne.

This is the difference between fighting for the gods and fighting for the emperor.

Later generations didn't know the meaning, so it was spread that Xing Tian rebelled against the Yellow Emperor and wanted to be the emperor himself, but was defeated by the Yellow Emperor and beheaded Yunyun.

However, in my opinion, Xing Tian is obviously not worthy of being an emperor, otherwise we should know more stories about Xing Tian!

To know Gonggong, there are too many well-known stories, and there are many passages in Shan Hai Jing that mention Gonggong.

By the way, the battle between Gonggong and Zhurong, the prototype of this legend is actually the so-called 'Gonggong and Zhuanxu fighting for the emperor'.

It's the same story.

Zhu Rong is Zhuan Xu. At least Zhu Rong of that generation was Zhuan Xu.

This is an official position, a very high status, but not an official position of the emperor, it is equivalent to the Minister of Energy, a state-level cadre.

Before Zhuan Xu proclaimed himself emperor, he couldn't have been a commoner! Before he became emperor, he was Zhu Rong and made great contributions. I will read this later.

In short, Gonggong so-and-so fought against Zhurong Zhuanxu to fight for the throne. In the end, Gonggong didn't care about the life and death of the common people and set off the flood to lose popular support, so Zhuanxu won and became the black emperor.

To sum up, Gonggong was an official position with a strong sense of existence in ancient times, and the clan he belonged to often met the minimum requirements for being an emperor.

Looking at the Classic of Mountains and Seas, Gonggong always fought against the candidate for the emperor, and lost every time.

Oh, Danzo.

Anyway, it can be explained from the side that Xing Tian is not worthy of being an emperor, especially fighting with the Yellow Emperor. Why? Emperor Yan and Jiuli were all convinced.

In addition to dancing with relatives, what other stories does Xing Tian have? No more, this is a certain clan that was not very strong or very weak in that era, or even... an individual.

If it is a clan, then this is the story of a small tribe fighting against the Yellow Emperor, wanting the 'god' created by the Yellow Emperor, such as Gundam or something... Haha.

In short, if you want it, just hit it. Then he lost, refused to accept, was indomitable, tenacious and unyielding, and finally died completely.

I don't like this kind of statement, I prefer Xing Tian, ​​but 'individual'.

After all, judging from the original text, "Xingtian and the emperor came here to fight for the gods, and the emperor cut off his head and buried it on the mountain of Changyang. The milk is the eye, the navel is the mouth, and the dry Qi dances."

It's more like a person than a tribe.

If it is an individual, there are several versions.

For example, Xing Tian was an unknown pawn. He wanted to rob the **** made by the emperor, but he was punished by Ming Zhengdian and publicly beheaded.

According to the pictogram of Xing, a person is framed on a torture device with his head clamped and a knife beside him.

So this must be a public execution.

As for this posture, it is quite normal for a person to be able to move after death. As long as he has a strong will, he can indeed struggle for a while after losing his head.

This may be shocking to the bystanders at the time, so I leave this description.

The above is probably the interpretation you think it is, right?

Unfortunately, this is only the second level. I have said that the author of Shan Hai Jing has a very calm writing style.

He won't write the words "taking **** as eyes" for no reason.

In my opinion, since this text is in Shan Hai Jing, it must have happened!

So the third level of interpretation, is Xing Tian really a human being?

Actually, after reading this far, I should introduce some concepts raised during the interpretation of the Nine Heavens Profound Girl. Unfortunately, I haven't had time to interpret the Nine Heavens Profound Girl...

To put it simply, this text is not classified by Xing Tian, ​​so it may be an 'electrical appliance'.

Xing Tian is a robot, so it can explain that after the head is chopped off, he can still observe with the optical sensor on his chest, speak with a horn on his abdomen, and wield a shield and an ax with both hands.

Tsk tsk, omnic crisis?

This also explains why a person who was cut off by the Yellow Emperor has to be specially recorded...

This is not an ordinary person provoking the Yellow Emperor, but an 'artifact' rebelling.

I don't know whether this artifact, Xing Tian, ​​was made by the Yellow Emperor himself or given by the heavens...

The fourth floor, since it will attack the Yellow Emperor, there is a high probability that it was given by the sky.

In this way, it can also explain why "fighting for the gods", this is not Xing Tian's greed, but recycling.

The battles are over and Xuanyuan is proclaimed emperor, so Xing Tian, ​​according to his task, should take back the 'equipment' of the Yellow Emperor at this moment.

The so-called Xingtian may not mean 'beheaded by heaven', but 'guillotine from heaven'.

"Heavenly Executioner!"

If the Yellow Emperor is dishonest and does not return the 'gods', the head of the Yellow Emperor will be severed.

As a result, you also know that the Yellow Emperor was so bold that Xing Tian, ​​who was supposed to be the executioner, was executed in public instead.

The Yellow Emperor refused to give it, and Xing Tian asked him for it, but the Yellow Emperor refused to give it, and even captured Xing Tian and sent him to the guillotine.

In this way, it can also explain why the Yellow Emperor wanted to bury Xingtian!

After all, there are people above. The executioner who came from the sky hacked him to death because he didn't want to pay it back. It must be bad.

So...

"Hey, everyone, it's not that I don't want to pay it back. I was about to pay it back, but he came up and attacked me. I had no choice but to arrest him and cut off his head. Oh, what a pity, is the program wrong? Although it is He made the move first, but I was also impulsive, so let's bury him..."

Diplomatic wisdom, conflict is okay, don't tear your face.

Yellow Emperor probably wanted to study the body, so he only buried the head and kept the body.

It's a pity that Huangdi still thought too much, he underestimated the group of people in the sky, thinking that he could fight against them with the "gods" given by the other party.

Although he destroyed Xingtian, Xingtian was just an omnic, and the people in the sky didn't come to take it back in person.

Although the head was buried, the body did not lose the ability to move.

When the Yellow Emperor approached, Xingtian's chest suddenly lit up, and his abdomen uttered: "It's still equipped! I want to bring the 'Gods' back to the sky!"

After all, he waved his shield and ax to threaten.

There is no record of what happened in the end, but if you think about it, you know that Huangdi will not be so stupid as to be stubborn.

Beheading Xing Tian's head is already playing side-by-side, most likely testing the bottom line.

Seeing that Xing Tian was headless, eyes could grow on his chest, his mouth could be opened on his stomach, and he was wielding weapons with both hands, Huang Di knew that he was invincible, and he still lacked too much intelligence.

Even if he has a way to deal with Xing Tian, ​​he doesn't know anything about the people in the sky, and the time is far from ripe.

So in the final result, the Yellow Emperor should have given up, and must have compromised something.

Afterwards, he started traditional arts, cheating children...

During the war, he used his daughter as a tool to win the victory, which is the story of the Nine Heavens Profound Girl.

During the peace period, "Heng Wo" was used to send out undercover agents.

He is a black-bellied emperor. He may have been a puppet of the heavens, but he has never forgotten to resist.

Everything is just to find a solution to the "Heaven and Man", break the pattern of "Heaven and Earth", and end the "Ten Days Era".

His cooperation, his appeasement, and his black belly are all for the sake of a certain emperor in the future, who can expel Nine Suns and reach the heavens and the earth.

Collecting information and laying a good foundation, who can stand up in the end, the Yellow Emperor himself can no longer see.

Why can the Black Emperor Zhuanxu know the way to drive away the aliens? Could it be possible to know the laws that aliens have been hiding?

Perhaps it is because of the move made by the Yellow Emperor to help 'Heng Wo Fly to the Moon'.

In the story of Xingtian that has been passed down from ancient times, all we see is Xingtian's indomitable spirit, and the spirit of fighting even if he dies.

The spirit is very good, but with only such a spirit, he is a reckless man after all.

True courage is to bow your head.

He lowered his head on the surface, but insisted on one idea in his heart.

That idea is called looking up.

Perhaps we only pay attention to the most brilliant and shocking shadow waving relatives in this story.

But he didn't notice, hidden under the shadow, there was a terrible thought in Huang Di's heart that no one knew.

No one knows what the Yellow Emperor was thinking at the time. He killed Xing Tian and buried him.

He buried the head but spared the body. Waving his relatives with his body, what did Huang Di figure out at that moment?

Tough and tough, he must die, he must have chosen to bow his head. I chose to keep my head down and develop unwaveringly.

I combine the records of "Constant Wo Flying to the Moon"... I'm thinking... Isn't this just a layout?

Perhaps in Huang Di's heart, he suppressed extremely rebellious thoughts, and a certain sense of resistance had already awakened.

Why does the opponent want to 'compete for God'? Why take away a powerful and magical creation? Are these machines important? Isn't this afraid of me? Are you afraid of those of us who step on the loess? Maybe the gap with heaven and man is not that big...

It was this kind of ambitious 'evil thoughts' that ignited the fire of resistance.

Perhaps, the Yellow Emperor was a born rebel.

'Why can't I betray you who helped me dominate the world? ’

He cut off Xing Tian's head and took the first step of rebellion: temptation.

Although he did not end the ten-day era in his whole life, he must have done a lot, secretly.

He put down the first piece of the puzzle and laid out the first chess pieces.

The first piece, the most important.

I'm sorry, the book friend who asked me to interpret Xing Tian, ​​in my eyes Xing Tian has never been a great hero.

The story of Xing Tian is not a story of resistance, let alone a story of stubbornly yelling that I refuse to admit defeat after being cut down.

After being trampled by others, the story of choosing to bow your head, and finally firming up a belief, developing unwaveringly for a hundred years, making countless sacrifices and finally raising your head, is the real hero.

Perhaps, this kind of spirit is poisonous, but in reality, I really think so.

I remember that when I first started interpreting Shan Hai Jing, I said that the Yellow Emperor in my heart is sinister and responsible.

Aside from the sci-fi version of the story, so is the realistic version of him.

He has experienced the baptism of war and was killed from the sea of ​​corpses and blood. He is the first emperor of the Ji family and the pioneer of the common people system.

So far, the stories of the Yellow Emperor passed down after the pre-Qin period are all about benevolence.

Forgot, he was the founding king.

Xing Tian, ​​apart from the surprise left to the world at the moment of his death, there is nothing else.

Perhaps it is this lack of meritorious spirit that is quite attractive. After the Jin Dynasty, note that it was the beginning of the Jin Dynasty. Xing Tian finally had some more stories. He became Chi You's minister for a while, and became Emperor Yan's for a while. The vassals, even in modern times, became the so-called God of War.

But Xing Tian, ​​after all, only has a credible record in the Shan Hai Jing.

No matter what he is fighting for, he is a loser.

The praise of him all originated from Tao Yuanming in the Jin Dynasty. Tao Yuanming read the Classic of Mountains and Seas and attached a poem for him and Jingwei.

In the Han Dynasty, which advocated great revenge, in the iron-blooded Qin Dynasty, and in the pre-Qin era of great struggle, Xing Tian was just a nobody.

Because of him, there is no merit.

Okay, this time I wrote Xing Tian at the request of a book friend, probably he will be very disappointed.

However, the sequence of interpretation I originally envisaged was disrupted. Difficult.

Fortunately, the blue and white interface, the story of the "Yellow Emperor" in the era of the Black Emperor, has already begun.

The new book "Information Omniscient" has been released, brothers who haven't noticed it, hurry up and collect it.

Above.

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